The Rural Alchemy Workshop (R.A.W.) is a platform for collaborative, experimental art-research practices that root in rural ecologies (all the faunal, floral, mineral, and chemical forms that comprise them) and specific acts of un/naming and imaginative, responsive, and respectful inhabiting.
The principal investigator of the R.A.W. is Karin Bolender (K-Haw Hart), an artist-researcher who seeks “untold” stories within muddy meshes of mammals, plants, microbes, and many others. For more than two decades, her transdisciplinary art-research practice has investigated the frayed edges of languages and submerged wisdoms of earthly bodies, through durational performance, material-poetics, video/sound installation, and experimental book arts. R.A.W. cultivates time-based, multimedia forays like R.A.W. Assmilk Soap, She-Haw Transhumance, m<other tongues, Welcome to the Secretome, and The Unnaming of Aliass. Early journeys through the rural US South with Aliass, Passenger, and many others began in 2002 with the Little Pilgrim of Carcassonne, followed by Dead-Car Crossing, and the “Can We Sleep in your Barn Tonight?” MYSTERY TOUR. K-Haw has an MFA in Interdisciplinary Arts from Goddard College and a PhD in Environmental Humanities from the University of New South Wales in Sydney, Australia.
A Little R.A.W. History
K-Haw founded the R.A.W. in 2008 on a neglected farmstead with a ramshackle barnyard and patch of hardwood forest in Carnesville, Georgia. Then the whole big ass family herd moved west to golden pastures of Orland, California in 2011, going north to Oregon soon after. Since 2014 the R.A.W. has been grounded in a plot of paddocks and woods in what’s known now as the Coast Range foothill forests just west of a town called Philomath, Oregon, traditional homeground of the Champinefu Kalapuya. The R.A.W. reckons the hidden histories of this land, while at the same time cultivating fertile (if far-flung) associations with others around the planet.
Celebrating its ten-year anniversary in 2018, the R.A.W. began shifting gears toward new ways to both reach out and to go deeper into places and ways we inhabit — to enmesh and share its mode of contemporary creative explorations with other rural adventurers, both very-local and worldwide. The R.A.W. cultivates knotty nodes and possibilities for collaborations of all kinds, but especially projects that mix the generative provocations of contemporary ecological art practices with the fertile (agri)cultural energies of rural places.
Please feel free to get in touch with any collaborative ideas, suggestions, and/or radical curatorial propositions:
Email ~ rural.alchemy.workshop{at}gmail.com
The Rural Alchemy Workshop (R.A.W.) is a platform for collaborative, experimental art-research practices that root in rural ecologies (all the faunal, floral, mineral, and chemical forms that comprise them) and specific acts of un/naming and imaginative, responsive, and respectful inhabiting. The principal investigator of…
Since 2008, the Rural Alchemy Workshop has been both a barnyard-based habitation and an interdisciplinary art practice that explores specific places in the midst of their myriad inhabitants and broader global situations. A number of major projects illustrate some of the R.A.W.’s processes and…
In association with the R.A.W. PostLibrary, opening since 2020, and other anarchival PostLibrary nodes for speculative friction in places past and yet-to-come. Also in association and collaboration with Fuel Ladder and appreciating support from the UO Center for Art Research and the Ford Family…
It’s pulping time! Come join the R.A.W. posse in Philomath for PULPING RODEO MYSTERY . . . On Sunday, October 30, the R.A.W will hold a public pulping workshop at the Philomath Frolic & Rodeo Grounds in Philomath, Oregon. “Pulping” is an evolving process…
Developed through a 2021-2022 CFAR Project Incubator fellowship with the University of Oregon’s Center for Art Research and Knight Campus for Accelerating Scientific Impact, the R.A.W. PostLibrary Generator (PLG) is a site-specific system that powers the PostLibrary in new ways, engaging with compost methods and seasonal…
The Haunted Pond (A Secretome Score) is an experimental score set in a video that gathers from a two-year, multi-seasonal performance and intergenerational collaboration located in a small pasture at the Rural Alchemy Workshop (R.A.W.) in Philomath, Oregon. In the midst of uncertain times…
In November of 2021, the R.A.W. enjoyed a residency as the first fellow of the University of Oregon’s Center for Art Research/Knight Campus Project Incubator program. This residency took place inside the sparkling new Phil and Penny Knight Campus for Accelerating Scientific Impact, located…
Excited here about a recent feature by William Kherbek on The Unnaming of Aliass in Berlin Art Link: The Bioerotic Universe: An Interview with Karin Bolender.
Mari Bastashevski wrote a probing and thoughtful review of The Unnaming of Aliass for Burlington Contemporary. Mari’s website offers a thrilling syllabus/resource for a course called Clever Monkey–Stubborn Donkey.
The R.A.W. is honored to be featured in the latest from the Morethanhuman Matters series of interviews with scholars, artists, and others engaging in more-than-human realms of study and practice. The series is presented by the wonderful anthropologist, Sophie Chao, on her morethanhumanworlds site….
The R.A.W. and She-Haw are thrilled to have a little video called “She-Haw Rope Tricks” included as a part of an ecosex series called “Imagine the Earth is Your Lover,” curated by Beth Stephens and Annie Sprinkle and hosted by The One Minutes. The…
Beginning on the bright morning/evening of August 31 and ending in smoky darkness on September 10, the R.A.W. was honored to take part in an exchange across time zones/oceans through a series of workshops at Kultivator in Sweden. These workshops were part of Explorations…